Louise Aubrie has returned with new music, unveiling her latest single “Midnight Calls”, a track that also introduces a new creative chapter in her evolving transatlantic career. This single release marks the first release from her upcoming sixth studio album, “LFA”, and is also the first record Aubrie has written and recorded in Los Angeles. This acts as the follow-up to her 2022 single, “Bang”.
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Sonically, the single is built around a tight, punchy indie rock structure, reflecting the energy of Los Angeles while still retaining the grounded edge associated with her London roots. Thematically, it leans into ideas of transition, identity, and emotional intensity, shaped by the experience of moving between two creative worlds.
Framing her vocals, the guitars and drums ebb and build in intensity, giving Louise Aubrie’s performance room to cut through while still driving the track forward. Subtle hard rock elements run throughout, lifting the indie rock foundation and adding a sharper edge to the production. Aubrie delivers a vocal performance that feels both commanding and controlled, working in step with the instrumentation rather than apart from it, culminating in a track that feels primed to make a strong impact.
At the heart of “Midnight Calls” is a lyrical focus on change and emotional tension, including the line “I’m on the edge and you’ve got the looks that kill”, which captures the heightened drama and cinematic influence often associated with Los Angeles storytelling. The single sets the tone for “LFA”, which is positioned as a conceptual “love letter” from London to LA, drawing on both personal experience and the mythology of Hollywood.
The “LFA” project was tracked at East West Studios on Sunset Boulevard, with production and mixing handled by Ken Sluiter. The album is described as a creative reflection on relocation and perspective, with Louise Aubrie using her time on the US West Coast as a foundation for the record’s direction.
Louise Aubrie also reflects on how living and working across two countries has influenced her creative process, explaining: “It’s always interesting when you have a life in both the UK and US, as I find I am awake at all times of the day and night catching up with people, which can trick your brain into new areas of creativity.”
Born in London, Louise Aubrie has built her reputation as an indie rock artist with a sharp lyrical focus and a guitar-driven sound that draws equally from UK indie sensibilities and US alternative rock energy. Over the years, she has split her time between London and the United States, developing her artistry across two major music scenes. That dual-based approach has shaped both her songwriting and recording process, with influences drawn from cities such as London, New York, and Los Angeles.
Throughout her career, Aubrie has collaborated with a wide range of established musicians, including Keith Scott, Solomon Walker, Charlie Paxson, and Roger Joseph Manning Jr. Her live performances have taken her to well-known venues such as The 100 Club in London and The Bowery Electric in New York, reinforcing her presence on both sides of the Atlantic.
Her debut album “Fingers Crossed…”, produced by Boz Boorer, received critical recognition in both the UK and US, earning national radio play and attention from industry publications including Billboard. Since then, she has continued to build momentum, with airplay across BBC Radio 2, BBC 6 Music, Kerrang, and BBC Radio London, further expanding her international audience.
With “LFA” on the horizon, “Midnight Calls” signals a confident and stylistically grounded return for Louise Aubrie, blending her London-bred indie rock foundation with the cinematic scale and creative influence of Los Angeles.
“Midnight Calls”, by Louise Aubrie, is available to download and stream, right now, across all platforms.
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