Home MusicAlbum Reviews “Denim Dan’s Circe”: A Folk-Rock Journey Through Mythology and Odyssean Echoes

“Denim Dan’s Circe”: A Folk-Rock Journey Through Mythology and Odyssean Echoes

by Jonathan Currinn
8 minutes read Send a Virtual Coffee ☕

Denim Dan has returned with their ninth studio album, “Denim Dan’s Circe”, a deeply evocative and immersive exploration that pays homage to mythology while delivering the band’s signature folk-rock essence. Following their “Denim Dan’s 25th Anniversary (1999-2024)” release earlier this year, “Denim Dan’s Circe” demonstrates the band’s creative momentum and ability to innovate while staying true to their roots. Clocking in at just over 48 minutes, this album takes listeners on a journey that intertwines themes of longing, resilience, and transformation.

A Mythological Undertone

The title of the album immediately draws listeners into the myth of Circe, the enigmatic goddess from Homer’s Odyssey. Known for her magical powers and her role in Odysseus’s legendary tale, Circe serves as a symbolic anchor for the record. The sixth track, “Circe’s Song (Save Me)”, becomes the emotional core of the album. While it never explicitly references Circe or Odysseus, its haunting refrain—“Reunite me with my kin…save me, I’ve been gone too long”—captures the essence of yearning that echoes throughout the record.

Denim Dan’s decision to weave mythological imagery into their songwriting without overt references is a deliberate choice to make these timeless stories relatable to modern audiences. Each track feels like a chapter, with its own narrative and emotional resonance.

Album artwork for "Denim Dan's Circe" by Denim Dan which sees a photo of a statue which we presume shows Odysseus with Circe.

The Band’s Cohesion

The familiar lineup—Michael Halitzer on vocals and guitar, Lorenzo Crescibene on drums and backing vocals, Dave Gellis on guitar, Gordon Kent on keyboards, Mike Nirack and Joe Nuecome on bass, and Ron Petrecelli on flute—delivers a performance that is both polished and heartfelt. Their synergy is evident in tracks like “Take My Soul” and “Embrace the Day”, where intricate instrumental layers blend seamlessly with Michael Halitzer’s emotive vocals.

The use of the flute in tracks like “Excuse Me For Crying” adds a mystical quality, while the guitar chords in “We’ll Go On” and “Embrace The Day” showcase the band’s ability to marry technical skill with emotional depth.

A Worthy Follow-Up

Following the retrospective celebration of “Denim Dan’s 25th Anniversary (1999-2024)“, “Denim Dan’s Circe” feels like a fresh chapter for Denim Dan. While the former revisited the band’s journey, “Denim Dan’s Circe” looks forward, embracing new storytelling techniques and a more conceptual approach to songwriting. It’s a testament to the band’s ability to evolve without losing their identity.

The Odyssey of “Denim Dan’s Circe”

The album starts off with “Sometimes (The River Will Overflow)”, a tuneful indie-folk track that has strong elements of dark country, rock, and modern pop, in a laidback style, effortlessly drawing in the listener from the get-go. Denim Dan’s vocals are as inviting as ever, beginning our journey through this intricate project. This brilliant opener discusses mental health and how things may happen no matter what you do, but we all keep going, nonetheless.

This is followed up by “We’ll Go On”, which changes the pace slightly, giving us more rhythmic guitar chords, and an awesome surprising harmonious chorus—a strong chant-like segment, that hooks the listener and makes this track undeniably unforgettable. Lyrically touching on continuing life after the passing of your significant other, this one strikes a cord so deep it hits us right in the heart. Add that to the addicting electric guitar segment towards the end, and this is easily our favourite track on the album, and one we’ll be listening to on rotation for years to come.

“A Minute to Midnight” follows next which sees the keys take the starting spotlight bringing another dynamic twist to the album. In doing so, we see Denim Dan bring their typical indie-folk to the table with Michael Halitzer’s storytelling vocals making an impact. This track feels like it deserved to have been on either the “Denim Dan’s 25th Anniversary (1999-2024)” album or even the one preceding that, “Santa Maria’s Dome“. Track number four is “Take My Soul”, stripping the whole vibe down into a folk ballad with clean crisp vocals throughout. The gentle atmosphere of the track allows Denim Dan to bring a soulful vibe in contrast to the song’s title.

Track five is “Doorway’s”, an ’80s-inspired folk-rock track with rhythmic lyrics and a prominent drum which adds to the melody of the track. On top of that, the awesome harmonious vocals are back, bringing strength and uniqueness while metaphorical words around doorways themselves add intrigue and draw the listeners in.

That is followed by the track that inspired the album’s name, “Circe’s Song (Save Me)”, which starts with a bright instrumental segment where the flute takes the spotlight while keys embolden the section and later the guitar takes over from the flute as vocals kick in. Clocking in at over eight minutes long, this track embodies Odysseus and his story while remixing it into the 21st century with a lyrical reflection of his feelings and his experiences with a contemporary theme allowing the listener to effortlessly relate and interpret the track to our own lives. The harmonious vocals on the words “Save Me” add a haunting yet touching energy to the track, giving it even more meaning.

“I.C.U. (Pass Me By)” is next, plunging us into more folk-ballad energy, which is definitely what we’ve come to expect from Denim Dan. The chilled rhythm has a hypnotic yet upbeat vibe about it, as we hear the vocalist sing about being in a village square and watching someone pass them by every day. Up next is “Sweet Saroya”, a love song that brings experimental pop with a folk twist. It’s full of affection as the vocalist sings about Saroya, who comes round to his house and how he surrenders to her. Gorgeous folk-pop in all its essence, this one is a stand-out on the album for its emotional integrity alone.

Track nine of the album is “Excuse Me For Crying”, where prominent keys continue with experimental vigour while sticking to the genre of folk. Michael Halitzer sings about being sorry for feeling upset—men cry too and we must teach everyone around the world that it isn’t weak to cry, that we all have emotions, and it makes us all stronger when we’re more open with our emotions. The song may not express that message but it does suggest that there are times when Denim Dan is feeling low and full of emotions, which is totally okay, and their future self will see that too. An important track that really showcases that we’re all just human.

The next track is “Embrace The Day”, completely u-turning the narrative from the previous track, even starting with the lyrics, “I woke up, got my head out of the sand”. Guitar chords progress the track in a laid-back folk undertone while the lyrics send out positivity and self-empowerment to the listeners.

This is followed up by the last track on the album, “Running Down The Time Line”, which starts off with an almost-minute instrumental segment, almost suggestive of running down the timeline of the album itself. This is the track that fully showcases the instrumentalists, while Denim Dan sings about all the different people in the world who may also be running down the timeline. It’s one to make listeners think, and it definitely does that with its sombre overtone.

The Enduring Spell of “Denim Dan’s Circe”

“Denim Dan’s Circe” is a testament to Denim Dan’s mastery of storytelling and their ability to weave intricate themes into accessible folk-rock soundscapes. The album’s progression mirrors a hero’s journey, with tracks that traverse emotional peaks and valleys, capturing moments of introspection, love, loss, and renewal. From the hauntingly relatable plea in “Circe’s Song (Save Me)” to the heartfelt optimism of “Embrace the Day”, each song feels like a chapter in a larger narrative, connected by a sense of timeless resilience. Denim Dan skillfully balances mythological inspiration with modern themes, inviting listeners to reflect on their own experiences while immersing themselves in lush melodies and poignant lyrics.

Inside cover of "This Way, That Way, The Other Way" album which sees Denim Dan playing a guitar, sitting on the floor which is a piece of artwork that is black and white and features a variety of creatures surrounding him,

As their ninth studio effort, “Denim Dan’s Circe” stands as a career milestone, marking 25 years of growth and reinvention. Denim Dan doesn’t just revisit their signature indie-folk style—they expand on it, integrating experimental touches and evocative harmonies that feel both fresh and familiar. Whether it’s the emotional depth of “Excuse Me for Crying” or the contemplative brilliance of “Running Down the Time Line”, the band demonstrates a commitment to their craft that resonates deeply with both long-time fans and newcomers. “Denim Dan’s Circe” isn’t just an album; it’s a journey—one that solidifies Denim Dan’s place as enduring architects of folk-rock storytelling.

“Denim Dan’s Circe”, by Denim Dan, is available to download and stream, right now, across all platforms.

Follow Denim Dan on social media here:

Share this article and tag us @GoodStarVibes to let us know what you make of Denim Dan’s new album, “Denim Dan’s Circe”.

Virtual Coffee

Buy the Good Star Vibes team a virtual coffee.

Adblock Detected

Please support us by disabling your AdBlocker extension from your browsers for our website.