On September 3, 2025, we attended Megan Prescott’s debut one-woman show “Really Good Exposure” at London’s Soho Theatre—and it’s safe to say it lived up to its title. Both enlightening and eye-opening, the semi-autobiographical play takes audiences on a raw, unflinching journey through the highs and lows of life in the spotlight, exploring the emotional, physical, and financial costs of a career in performance.
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Prescott plays Molly Thomas, a semi-fictional former teen star whose story feels painfully authentic. Through 70 minutes of captivating performance, Prescott leads us through Molly’s journey—from teenage dance lessons to acting auditions, to uncomfortable sex scenes she never felt ready for, to stripping, reality TV, and eventually exploring sex work on a platform resembling OnlyFans. With every twist in Molly’s trajectory, Prescott embodies her character with nuance, honesty, and a fierce vulnerability that grips the audience from beginning to end.
From the very first scene, Prescott sets the tone with striking boldness. She strips from a security guard uniform down to a sparkling two-piece blue set—bra, knickers, and a matching bow on her head—a deliberate choice that underlines the unease of Molly being sexualised before she’s ready. The discomfort we feel is intentional, and Prescott leans into it with a performance that is as fearless as it is poignant.
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As Molly’s career unfolds, we witness her being pressured into explicit roles by industry figures, her reluctant participation in increasingly sexualised auditions, and her struggle to assert boundaries in a world determined to push past them. Prescott plays every moment with passion and precision—capturing Molly’s anxiety in a nude audition, the conflict of stripping to survive, and the tension of a reality TV romance that isn’t what it seems.
What stands out most is how “Really Good Exposure” refuses to sensationalise Molly’s journey. Instead, Prescott’s storytelling highlights the humanity of a young woman navigating exploitation, stigma, and the struggle for survival. Even when the narrative edges towards darker territory, Prescott performs with professionalism, empowerment, and strength, making the nudity and intimacy on stage part of a larger, vital conversation rather than spectacle.
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As the play moves through its peaks and valleys, we become deeply invested in Molly: rooting for her, feeling her pain, and hoping for her redemption. Prescott crafts a character who feels like someone we know, or even a close friend. By the end, we’re left questioning how society treats performers, particularly women whose value is tied to their bodies and their willingness to comply with industry demands. Whether Molly’s story ends on a high or plunges further into uncertainty is something audiences must discover for themselves; either way, the emotional impact lingers long after the curtain falls.
Passionate throughout, Megan Prescott is a true storyteller—sensational, in fact. “Really Good Exposure” is an eye-opening exploration of life in and beyond the entertainment industry, and dare we say, it’s the best one-woman show we’ve watched all year.
The production benefits from a sharp creative team, with director Fiona Kingwell guiding the pace, Hattie North’s sound design amplifying every emotional beat, and Rachel Sample’s video and lighting shaping the atmosphere. Together, their work frames Prescott’s performance without overshadowing it, allowing her story to shine in all its raw intensity.
“Really Good Exposure” is more than theatre; it’s a statement about agency, about the realities of the industry, and about the fight to reclaim one’s own narrative. Prescott shapes her lived experience into art that resonates far beyond herself, offering a performance as vulnerable as it is commanding, one that demands to be seen.
🎙️ Listen to Megan Prescott’s Really Good Exposure Podcast:
Join Megan Prescott for candid, unfiltered conversations on creativity, women’s autonomy, and life in the spotlight. From her journey after Skins to the making of her one-woman show, every episode gives a fresh perspective you won’t want to miss.
Don’t miss your chance to witness Megan Prescott’s powerful solo performance in Really Good Exposure. Following a sold-out run at the Soho Rising Festival and an incredible run at the Edinburgh Fringe, this critically acclaimed show is now playing at Soho Theatre Upstairs. Tickets start from just £20, but with limited availability, they won’t last long. Secure your seat today and experience a raw, unflinching look at the realities of fame, exploitation, and reclaiming one’s narrative. This show is only available until September 13, 2025, so get your tickets now!
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